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Tunisia

USD 50 /hr

Academic Expert in Audiovisual Media, Animation, and Cultural Heritage | Peer Reviewer & Research Methodologist

Profile Summary

I am an assistant professor and researcher in cinema and audiovisual studies at the University of Jendouba, Tunisia, with a strong interdisciplinary background bridging media, cultural heritage, and digital technologies. Originally trained in computer networks, I transitioned into academia after over a decade of professional experience in IT, bringing a unique dual perspective that enriches my approach to film analysis, visual culture, and educational innovation. My academic work focuses on the sociocultural impact of cinema and animation, audiovisual heritage preservation, and the application of artificial intelligence in immersive media, including 360° video, VR/AR, and stop-motion animation. I have published extensively in peer-reviewed journals in Arabic, French, and English, and contributed to international conferences on cinema, education, and cultural studies. I also supervise graduate research in professional master’s programs and actively participate in curriculum development, particularly around documentary filmmaking, audiovisual marketing, and creative uses of AI in storytelling. My current projects include a hybrid documentary in stop motion addressing inclusive education in Tunisia and a collective encyclopedic project on Tunisian film directors, with a dedicated section on animation and heritage. I have served on university ranking and governance committees and contributed to the implementation of Open Journal Systems (OJS) to promote scientific publication and evaluation transparency. As a multilingual scholar (Arabic, French, English), I offer strong skills in academic writing, peer reviewing, and interdisciplinary assessment, particularly in areas related to media studies, cultural identity, education, and technological innovation in the arts.

Subject Matter Expertise

• ☆ Data Analysis
• ☆ Artificial Intelligence
• ☆ Cultural Anthropology
• ☆ Ethnology & Ethnography
• ☆ Mythology & Folklore
• ☆ Cultural Studies
• ☆ Fiction
• ☆ Art Education
• ☆ Film Studies
• ☆ Film Criticism
• ☆ Film Production
• ☆ Music
• ☆ Visual Arts
• ☆ Art Criticism
• ☆ Art History
• ☆ Film History
• ☆ Historic Preservation
• ☆ Identity
• ☆ African Art
• ☆ Folk & Traditional Music
• ☆ Intellectual Property Law

Services

• Data & AI

Data & AI Image Analysis

Work Experience

Maître Assistante en Sciences de l'Audiovisuel et du Cinéma

Université de jendouba

January 2023 - Present

Maître Assistante en Sciences en sciences de l'Audiovisuel et du Cinéma

Université de Jendouba Institut Supérieur de Musique et de Théâtre du Kef

October 2022 - Present

Temporary Assistant In Audiovisual & Cinema Field

Université Centrale-Honoris United Universities

September 2016 - Present

Assistante Contractuelle

Honoris United Universities

October 2016 - February 2019

Education

COMMON DOCTORATE IN SCIENCES OF CINEMA, AUDIOVISUAL, TECHNOLOGIES OF ART AND ARTISTIC MEDIATIONS: -ESAC Gammarth-University of Carthage. (Ecole Supérieure d'Audiovisuel et Cinéma: ESAC GAMMARTH)

Université de Carthage

October 2016 - July 2021

Diplôme des hautes études Universitaires en Informatique Spécialité Réseaux (Réseaux Informatiques)

Institut Supérieur des Etudes Technologiques de Radès

September 2001 - February 2004

Baccalauréat en mathématiques (Section Mathématiques)

Lycée Technique Agricole

October 1997 - June 2001

Certifications

• Certification details not provided.

Publications

JOURNAL ARTICLE

Faten Ridene (2024). Fiction Movies as a Means of Culinary Heritage’s Safeguarding and Research Referencing: Cases of Couscous Illustration in Tunisian Cinema . CINEJ Cinema Journal.

Ridene, F. (2024). Preserving the film archive as national heritage and cultural identity: reality and prospects. Jordan Journal of the Arts, 17(3), 313–324. Retrieved from https://jja.yu.edu.jo/index.php/jja/article/view/450 .

الكسكسي وتمثلاته العرقيّة: عبر الأشرطة السّينمائيّة @article{https://doi.org/10.13140/rg.2.2.14710.41288, doi = {10.13140/RG.2.2.14710.41288}, url = {https://rgdoi.net/10.13140/RG.2.2.14710.41288}, author = {Ridene, Faten}, language = {en}, title = {COUSCOUS AND ITS ETHNIC REPRESENTATIONS IN MOTION PICTURES: FROM PRESERVING INTANGIBLE CULTURAL HERITAGE TO PLAYING THE ROLE OF A TOURISM CAMPAIGN in El-Nas Journal-Algeria –Vol. 11- Iss. 01 -pp: 170-199-ISSN: 2716-828X (Arab Impact factor AIF =0.88}, publisher = {Unpublished}, year = {2023}} . ANNASS-النّصّ.

Faten Ridene (2022). The Black magic: An aesthetic analysis of its illustration in the sociohorteur film: Dachra . CINEJ Cinema Journal.

PAPILLON D’OR : UN PAPILLON, LÉGER, FRAIS, QUI VOLERAIT BIEN VERS L’OR DES OSCARS @article{https://doi.org/10.13140/rg.2.2.10307.12327, doi = {10.13140/RG.2.2.10307.12327}, url = {http://rgdoi.net/10.13140/RG.2.2.10307.12327}, author = {Ridene, Faten}, language = {de}, title = {PAPILLON D’OR : UN PAPILLON, LÉGER, FRAIS, QUI VOLERAIT BIEN VERS L’OR DES OSCARS}, publisher = {Unpublished}, year = {2021}} . cinematunisien.tn.

‫حفظ التراث الثقافي اللامادي عن طريق نظيرہ السينمائي-رؤى وتحاليل @article{https://doi.org/10.13140/rg.2.2.21707.00801, doi = {10.13140/RG.2.2.21707.00801}, url = {http://rgdoi.net/10.13140/RG.2.2.21707.00801}, author = {Ridene, Faten}, language = {en}, title = {‫حفظ التراث الثقافي اللامادي عن طريق نظيرہ السينمائي-رؤى وتحاليل}, publisher = {Unpublished}, year = {2019}} . -2625-8943-المجلّد 4-العدد 16 ص ص 49-66مجلة الدراسات الثقافية واللغوية والفنية-المركز العربي الديمقراطي ببرلين.

أنثروبولوجیا وتطوّرات الدّیدکتیکیات : من بثّ الثقة فی النّفس والروح التّشارکیّة إلى القدرة على الخلق والإبداع @article{__2020, doi = {10.21608/mjaf.2020.38379.1789}, url = {https://doi.org/10.21608%2Fmjaf.2020.38379.1789}, year = 2020, month = {oct}, publisher = {Egypts Presidential Specialized Council for Education and Scientific Research}, volume = {5}, number = {1}, pages = {1123--1134}, author = {فاتن ریدان}, title = {أنثروبولوجیا وتطوّرات الدّیدکتیکیات : من بثّ الثقة فی النّفس والروح التّشارکیّة إلى القدرة على الخلق والإبداع}, journal = {مجلة العمارة والفنون والعلوم الإنسانیة}} . مجلة العمارة والفنون والعلوم الإنسانیة.

(2020). الشاذلي القليبي: رائد الحركة الثقافية ومعمّد أيّام قرطاج السينمائيّة . AL HAYAT AT TAKAFIYYAH-الحياة الثقافيّة.

F. RIDENE (2020) QUAND DACHRA OSCILLE ENTRE COIN DE MAGIE NOIRE ET TITRE DE FILM HORTEUR : LECTURE ESTHÉTIQUE ET ANALYTIQUE In: AFAQ CINÉMAIYA (آفاق سينمائية) Vol. 7 Iss. 1 ISSN: 2600-6243, JUNE, 1st, 2020, PP: 537-559, DOI: 10.13140/RG.2.2.31691.75040/1 Link of the journal: https://www.asjp.cerist.dz Link of the Article: https://www.asjp.cerist.dz/en/article/115824 .

(2019). La Cinémathèque Tunisienne : la sauvegarde d'un patrimoine, d'une identité : Épisode II africultures.com/la-cinematheque-tunisienne-la-sauvegarde-dun-patrimoine-dune-identite-episode-ii . Africultures.

(2019). Retour sur le panel :Visual Effects in the Film Industry Carthage Digital-Carthage Film Festival-27-10-19 . Cinéma Tunisien.

(2019). LA FTCA, UNE EXPERIENCE QUI S'EXPORTE… . Cinéma Tunisien.

Frr Frr (2019). LA FTCA, UNE EXPERIENCE QUI S'EXPORTE… . Cinéma Tunisien.

(2018). La Didactique des Spécialités Audiovisuelles, fiable pour toute autre branche . Symposium International: La didactique et son rôle dans le développement de la performance de l'enseignant.

F. RIDENE (2018), RACHID FERCHIOU : VOILA POURQUOI «MY CHINA DOLL» N’ETAIT PAS DISTRIBUE EN TUNISIE ! In. Cinéma Tunisien, 06-10-2018:https://www.researchgate.net/publication/326785944_RACHID_FERCHIOU_VOILA_POURQUOI_MY_CHINA_DOLL_N%27ETAIT_PAS_DISTRIBUE_EN_TUNISIE DOI: 10.13140/rg.2.2.34921.54882 .

(2018). La Cinémathèque Tunisienne : La Sauvegarde d'un Patrimoine, d'une Identité . Africultures.

(2018). The Palestinian movie Wajib as opening movie of the Amateur Film Festival in Kelibia . Cinéma Tunisien.

(2017). Interaction Complémentaire entre le Cinéma l ethnologie et l anthropologie : une interdisciplinarité . Doctoriales 2017.

(2017). liaisons entre la vita è bella et l'histoire de l'italie -FRR . Ecrans de la Tunisie.

(2017). Rouge parole de Elyes Baccar-FRR . Ecrans de la Tunisie.

(2016). Fellini: Entre Mythes et Réalités . Ecrans de la Tunisie.

(2015). Federico Fellini: Between Myths and Realties . International Journal of Humanities and Cultural Studies: IJHCS.

(2015). Shady Abdessalam Le Tout en Un . International Journal of Humanities and cultural Studies.

Raissi, Feten Ridene (2015). Federico Fellini: Between Myths and Realities . International Journal of Humanities and Cultural Studies.

Raissi, Feten Ridene (2015). Masterpieces of Nouri Bouzid: Between Conditioned Advent and Censorship's Extinction . International Journal of Humanities and Cultural Studies.

Raissi, Feten Ridene (2015). Shadi Abdessalem: The All in One . International Journal of Humanities and Cultural Studies.

La recherche scientifique en patrimoine cinématographique en Tunisie : l’état des lieux et les recours possibles .

Raul Rivas_perez Control system of water flows and levels in a canal .

Salma Baccar as icon of the Tunisian and arabic Women .

CONFERENCE ABSTRACT

Faten Ridene, Maya Ben Ayed(2024). نداء مؤتمر علمي دولي: فنّ التحريك في افريقيا والعالم العربي منذ النشأة و البدايات الي العصر الحاضر: التحديات والآفاق Call for papers: Animation Art in Africa and Arab World Appel à contribution: L'art de l'animation en Afrique et au monde arabe . Call for papers. Unpublished

EDITED BOOK

Faten Ridene(2024). La famille Samama : Pionniers du cinéma Tunisien . اسكرايب للنشر والتوزيع-مصر. Unpublished

Ridene, F.,Akser, M., Tbatou, H., Souiba, F., Jasim, F., Chaabane, T. B., Aiche, K., Nejia Soliman, Gharaebeh, A., Guiga, L., Guardi, J., , Allani, M.S., Chamseddine, A., & Trabelsi, F. (2021). السينما والجائحة: بين رَادِعٍ للإبداع وحَافزٍ للإشعاع تَبعات جائحة الكوفيد19 على الإنتاج والتوزيع السينمائي Cinema and Pandemic: Between Creativity Barrier and Flourishing Booster-Consequences of the Covid-19 pandemic on film production and distribution, https://doi.org/10.13140/RG.2.2.15641.34408, ISBN: VR-3883-6586-B-Democratic Arab Center .

REPORT

Faten Ridene(2023). report of the international staff training week in Seville University Spain-Dr Faten RIDENE-University of Jendouba-Tunisia . Unpublished

Faten Ridene(2022). Candidature au Grade Maître-Assistant Dr Faten RAISSI RIDENE Spécialité: Techniques de l'Audio-visuel et du Cinéma . Unpublished. Unpublished

CONFERENCE POSTER

حفظ الأرشيف السينمائي في الدّول العربيّة الواقع والآفاق @article{https://doi.org/10.13140/rg.2.2.29288.75528, doi = {10.13140/RG.2.2.29288.75528}, url = {https://rgdoi.net/10.13140/RG.2.2.29288.75528}, author = {Ridene, Faten}, language = {it}, title = {الدولي‬ ‫العلمي‬ ‫المؤتمر‬ ‫المخطوطات‬ ‫وأرشفة‬ ‫والتصنيف‬ ‫التحقيق‬ ‫لعلوم‬ ‫التاريخية‬ ‫والدراسات}, publisher = {Unpublished}, year = {2023}} . المؤتمر العلمي الدولي لعلوم التحقيق والتصنيف وأرشفة المخطوطات والدراسات التاريخية.

(2020). Woman, from submitted to leader, in feminist movies . II nd Edition of international days of Maya Jribi for women leadership Theme : Presence and representation of the women in the media.

PREPRINT

Faten Ridene, Maya Ben Ayed(2023). نداء مؤتمر علمي دولي: فنّ التحريك في افريقيا والعالم العربي منذ النشأة و البدايات الي العصر الحاضر: التحديات والآفاق . Unpublished. Unpublished

CONFERENCE PAPER

Ridene, Faten(2022). Fiction Movies as touristic promotion through immaterial cultural heritage representation Examples from Tunisian Cinema contribution in the 1st International Conference on Intangible Cultural Heritage SYMPOSIUM 2: Tourism 3.0. Intangible cultural heritage at the heart of the tourist experience Dr Faten RIDENE . 1st International Conference on Intangible Cultural Heritage SYMPOSIUM 2: Tourism 3.0. Intangible cultural heritage at the heart of the tourist experience. Unpublished

Harga ! Quando una serie tv diventa una compagna di sensibilizzazione contro l’immigrazione illegale: realtà e prospettive @article{https://doi.org/10.13140/rg.2.2.27113.98401, doi = {10.13140/RG.2.2.27113.98401}, url = {https://rgdoi.net/10.13140/RG.2.2.27113.98401}, author = {Ridene, Faten}, language = {it}, title = {Harga ! Quando una serie tv diventa una compagna di sensibilizzazione contro l’immigrazione illegale: realtà e prospettive}, publisher = {Unpublished}, year = {2022}} . Harga ! Quando una serie tv diventa una compagna di sensibilizzazione contro l’immigrazione illegale: realtà e prospettive.

Ridene, Faten(2021). سلمى بكار أيقونة المرأة العربية ومرآة التلاقي بين الفن والسياسة: مكاسب وتحديات . جودة حياة المرأة العربية. Unpublished

Le film de fiction en tant qu’un moyen de sauvegarde du patrimoine vestimentaire - Etude de quelques représentations dans le cinéma Tunisien IN: الملتقى الدولي عن بعد: ذاكرة اللباس في أشكال التعبير الفني قراءات انثروبولوجية ومقاربات فنية المنظم من قِبل مخبر انثروبولوجيا الأديان ومقارنتها، فرقة أنثروبولوجيا الفن جامعة أبو بكر بالقايد-تلمسان-الجزائر @article{https://doi.org/10.13140/rg.2.2.14009.70249, doi = {10.13140/RG.2.2.14009.70249}, url = {http://rgdoi.net/10.13140/RG.2.2.14009.70249}, author = {Ridene, Faten}, language = {fr}, title = {Le film de fiction en tant qu’un moyen de sauvegarde du patrimoine vestimentaire - Etude de quelques représentations dans le cinéma Tunisien IN: الملتقى الدولي عن بعد: ذاكرة اللباس في أشكال التعبير الفني قراءات انثروبولوجية ومقاربات فنية المنظم من قِبل مخبر انثروبولوجيا الأديان ومقارنتها، فرقة أنثروبولوجيا الفن جامعة أبو بكر بالقايد-تلمسان-الجزائر}, publisher = {Unpublished}, year = {2021}} . Unpublished.

ف. ريدان (2020)، أنثروبولوجيا الدّيداكتيكيّات، ومدى التوازي بين تطوّر العلوم وتطوّر مناهج تدريسها: أثر التّعليميّة الأفقيّة على تحسين مردود الطّلبة: من بثّ الثقة في النّفس والروح التّشاركيّة الى القدرة على الخلق والإبداع in المؤتمر الدّولي الافتراضي: الحضارات والثورة الصناعية الرابعة في ظل التعليم الالكترونية قبل الجمعيّة العربيّة للحضارة والفنون الإسلاميّة، بالشراكة مع جامعة مونسار ومعهد الدراسات والتربية الإسلامية ومؤسسة أبتيس الفرنسية ومخبر التراث الثقافي واللغوي والأدبي بالجنوب الجزائر بجامعة غرادية 23-25 جويلية 2020 .

(2019). Quand la révolution -née Jasmin Tunisien- devient une cause traitée au cinéma maghrébin . In Symposium International: La Révolution: Représentations et Réalités sur le bassin méditerranéen-Hammamèt-12-2019.

(2019). Alternance entre la vérité absolue et la vérité relative dans les films de fiction . Ecrire le vécu Tunisien: Réalités et Limites.

(2019). La réincarnation d'un merteur dans chaque personnage qu'il interprète . Colloque International: Etre en scène, être en jeu: Montpellier.

(2018). Thalathoun of Fadhel Djaziri, and the Afforded Opportunity to the Contemporary Generations to Re-Live the History of Tunisia, Their Homeland . Cinéma et Mémoire: Visions et Enjeux-Ouarzazatte-Maroc.

(2018). La révélation de la violence au cinéma : quand un maquillage témoigne une brutalité . Le Pouvoir de l'Art.

(2018). The Muslim Cuisine: A Heritage of Social Gathering, Filled with Hospitality, Generosity and Shared Feelings . Symposium Sharing Meals: Social aspects of eating and cooking together.

(2018). La Philosophie à l'Ère du Numérique: Quelle Evolution? . Humanités et cultures à l'épreuve du tournant numérique.

(2017). The Human Being and the Clay: Created from, Living through an Buried in . First National meeting On Clay and composite Materials (1st. NMCCM).

(2017). The Preservation of the Culinary Heritage through its Cinematografic Counterpart . International Symposium Cooking as ritual. Cuisine and culture in the globalized XXIst Century World.

(2016). The Seventh Art as a National Heritage Preservation . In. Symposium International :Cinéma et Patrimoine: Manifestations et Fonctionnement-Ouarzazate Maroc-24-11-2016.

DATA SET

Ridene, Faten and {Aissa Rasselme}(2021). افادة تحكيم في المجلة العلمية الدولية آفاق سينمائية Certificate of Reviewing for Afaq Cinemaiya Journal . Unpublished

DISSERTATION THESIS

Du Stylo de Ali Douaji à la caméra de Hammouda Ben Halima : le réverbère obscur ou l’amour nocturne ? @article{https://doi.org/10.13140/rg.2.2.35939.89127, doi = {10.13140/RG.2.2.35939.89127}, url = {http://rgdoi.net/10.13140/RG.2.2.35939.89127}, author = {Ridene, Faten}, language = {fr}, title = {Du Stylo de Ali Douaji à la caméra de Hammouda Ben Halima : le réverbère obscur ou l’amour nocturne ?}, publisher = {Unpublished}, year = {2021}} . Unpublished.

BOOK CHAPTER

Ridene, Faten(2021). سلمى بكار أيقونة المرأة العربية ومرآة التلاقي بين الفن والسياسة: مكاسب وتحديات . جودة حياة المرأة العربية. Unpublished

فاتن ريدان. (2021). سلمى بكار أيقونة المرأة العربية ومرآة التلاقي بين الفن والسياسة: مكاسب وتحديات. تأليف عائشة واضح، جودة حياة المرأة العربية : المكتسبات والتحديات (الصفحات 41-55). برلين، المانيا: المركز الديمقراطي العربي. doi:10.13140/RG.2.2.10274.45760 .

(2020). Quand l’architecture identitaire illustrée dans des films de fiction, devient une compagne de sensibilisation au tourisme culturel et historique . In Book: Discours de l'architecture: mots et Signes.

(2019). La révélation de la violence au cinéma : quand un maquillage témoigne une brutalité . Chapitre de l'ouvrage collectif intitulé: Les Pouvoirs de l'Art-pp 401-412.

(2019). La révélation de la violence au cinéma : quand un maquillage témoigne une brutalité . Les pouvoirs de l'art.

(2017). Thalathoun of Fadhel Djaziri, and the Afforded Opportunity to the Contemporary Generations to Re-Live the History of Tunisia, Their Homeland . Cinéma & Mémoire : Visions & Enjeux.

(2016). The Seventh Art as a National Heritage Preservation . Cinéma et Patrimoine: Manifestation et Fonctionnement.

BOOK

Trabelsi, Firas and Ridene, Faten and Bammoune, Amena and {Zeineb Guedouz} and {Sahbi Allani} and Chamseddine, Ali and Chapouillié, Guy and Khouri, Toufic El and {Delphe Kifouani} and Kriaa, Mohamed Lassaad and {Azelarab Qorchi} and Souiba, Fouad and Tbatou, Hamid and Yazbek, Elie and Chraibi, Saad and Sijilimassi, Ahmed(2021). La Musique au Cinéma: des Représentations Ethno-Psychologiquesالموسيقى في السينما: تمثلات اثنوبسيكولوجية . Aptees. Unpublished

(2020). La Musique au Cinéma: des Représentations Ethnopsychologiques . APTEES.

(2018). Making Of: Making Re-Live . Noor Publishing.

(2017). Censorship Rate Variance Throught a movie lifecycle . Noor Publishing.